46. See Henri de Saint Simon (1814) The Reorganisation of the European Community . Reprinted in Carl Cohen (ed.) F.M. Markham (trans) (1962) Communism, Facism and Democracy. Random House, New York.
47. See F. Engels (1892) Socialism, Utopian and Scientific Swan Sonnenschein and Co. London.
48. Theophile Gautier (1834) Mademoiselle de Maupin quoted in Gimpel, Jean (1991) Against Art and Artists. Polygon, Edinburgh.
49.Victor Burgin (1986) THE END OF ART THEORY (Macmillan, London) (P.143)
50. Formulated by the the Abbe Charles Batteaux in Les Beaux Reduits a Un Meme Principe (1747) cited by Burgin. Ibid. (144).
51. Williams.Ibid. (P.42) "The emergence of an abstract, capitalised Art, with it's own internal but general principles, is difficult to localize. There are several plausible C18 uses, but it was in C19 that the concept became general."
52. Taylor ,Roger. L (1978) ART, AN ENEMY OF THE PEOPLE (Harvester Press, Sussex), (p.48)
53. Taylor.Ibid.(P.43)
54. Burger.Ibid.(P.36)
55. For example the Gothic Revival, Morris and the Arts and Crafts Movement etc.
56. Benjamin,Walter (1979) ILLUMINATIONS, Fontana/Collins, Glasgow. (P.223)
57. Benjamin,Walter. Ibid.(P.225-226)
58. Benjamin.Ibid (P.245)
59. Burger.Ibid.(P.48)
60. Burgin .Ibid. (P.154)
61. See Hauser, A (1951) THE SOCIAL HISTORY OF ART VOL. 2. Vintage Books, New York.
62. Burger.Ibid. (P.48)
63. Willeman.P.Ibid
64. Wollen.Ibid.(P.172)
65. See Nikolaus Pevsner in his influential Pioneers of Modern Design (1936). 66
66. Bourdieu, Pierre, (1979) Distinction, A Social Critique of the Judgement of Taste Routledge and Kegan Paul Ltd. London. 1986. (P.4)
67. Bourdieu. Ibid. (P.31-32.)
68. Novalis (1789) FRAGMENTE DES JAHRES, GESAMMELTE WERKE, No. 879. Vol III, P.38 from the anthology ed. L.R.Furst European Romanticism, Methuen, London. 1980. (P.3)
69. Hugo,Victor (1830) PREFACE TO HERNANI from ed. L.R.Furst Ibid. (P.43)
70. Vitet, L (1825) LE GLOBE, 2 April ; Le Romantisme defini par 'Le Globe' , from ed. L.R.Furst . Ibid. (P.43-44)
71. Debord.G.(1967) THE SOCIETY OF THE SPECTACLE Rebel Press, Aim Publications, Exeter. (1987) (Clause 140)