PART FOUR

GODARD AND '68
The search for a radical film practice; Marx, Brecht and Sylvia Harvey.


SIGNS AND MEANING IN PETER WOLLEN
Peter Wollen and Laura Mulvey; their films, their theories and the rise of cine Structuralism.


THE ACADEMY
A history of how both Avant-Garde filmmaking and
radical Film Theory penetrated/were appropriated by the Academy.

AFTER POSTMODERNISM
Why there can be neither a Modernist or a Postmodernist Cinema:
references to J.Hoberman and Anne Friedberg. Warhol the Artist.

THE AUTONOMY OF THEORY
I apply the theory of autonomy, functionlesness and the superfluousness developed in this text to Theory.
Finally the answer to the mystery of the TWO AVANT-GARDES.