|
Dandy
Dust
Digital Press
Pack
Contents:
Short
Synopsis 2
Cast
& Crew 3
About
the Actors 4
About
the Crew 5
Directors
Notes 6
Directors
Bio- & Filmography 7
Hans
Scheirlís Film Screenings 8
Main
Characters & Time Spaces 10
Full
Synopsis 12
Festivals
Presented
By
mmm
millivres
multi-media
For further
press enquires please contact:
Kim
Watson
0171 482
2576
SHORT
SYNOPSIS:
A
split-personality cyborg of fluid gender zooms
through time to collect
h-selves in the
fight against a genealogically obsessed
family:
Dust crashlands
on the cyberbetic Planet of 3075. H- memory disc is
taken
out by the
planet's supervisors: the Twins Mao&Lisa, who
have grown the
planet through
parthenogenetic conception.
Dust becomes a
natural member of 3075's chemo-sexual
structure.
Strange
creatures start to haunt Dust: Dandy, a former
self, inhabitant of
the Planet of
Blood & Swelling; Supermother Cyniborg,
obsessed with
reproducing a
corroded clan inside the flying family-crypt The
Mothership;
Father Sir
Sidore; a repressed 18th century
aristocrat;
a dusty Mummy
& the mysterious Twins.
In order to
ward off the zombie-family, Dust is forced to
re-member: go
back in time to
collect -h- lost selves which are stuck in
different
time-spaces.
But the effort to become one [Dandy Dust!!]
bears dangers...
....of
megalomaniac multitude !!!
A full synopsis
is included on the floppy disk along with
photographic thumbnails.
Dandy
Dust
transgendered
scifi/splatter/noize/horror-comix
feature-film.
94min.
16mm.Colour
CAST:
Suzie
Krueger
Leonora
Rogers-Wright
Tre Temperilli
(formerly known as 'Trash')
Hans
Scheirl
Svar
Simpson
Angela De
Castro
Del LaGrace
Volcano
Sarah
Schulman
Dr. Sue
Golding/Master Johnny Boy
Paul
Hallam
Carole
Murcia
Sophie
Moorcock
PP
Hartnett
& many
others
CREW:
Director of
cinematography+Digital animations: Jana
Cipriani
Miniature-model
+ F/x photography: Nigel Reed
Production
& Costume Design:Amory Peart
1st Ass.
Director: Amanda J. Roberts
Production
Manager: Lulu Belliveau
Sound-Design:
Jewels Barker
Music:
Yossarian, Emma EJ Doubell,Bent.
Written,
Directed, Produced & Edited by Hans
Scheirl
(writer&co-director
of the kult cyberdyke epic 'Flaming
Ears')
U.K./Austria
98
ABOUT
THE ACTORS:
Hans Scheirl
(Dandy Dust) has performed in most of his 46
short-films & plays 'Nun', the red-plastic
alien in his first feature-film 'Flaming
Ears'(Austria 1991) and the cruel fisherwoman in
the surreal short >The Abbotess& the Flying
Bone< (Austria 1989). He has learnt his
performing tools while working for
fluxus/multi-media artist Arleen Schloss in New
York in the early eighties & as an underground
fimmaker of post-Aktionistic Vienna. 1995 he won
the first European Drag-king Contest @ London's
National Film Theatre by stageing a boy's suicide
& sexual awakening.
Suzie Krueger
(Supermother Cyniborg): radical Body-Art performer.
Creator & hostess of London's avant-garde
fetish clubs >Clit-Club<, >Used< and
>Fist<. Fist's web-site:
www.ainexus.com/fist.
Tre Temperilli
aka Trash (Sir Sidore): actor. films: Swoon by Tom
Kalin, 'Sluts & Godesses Workshop' by Annie
Sprinkle, Gregg Araki's upcoming film Nowhere -
premiering at Sundance. Plus: films by Dorsay Alavi
and Jennifer Gentile. Tre recently lent her
versatility in a shoot with Michael Comte for
L'Uomo Vogue and will appear in Greg Gorman's
soon-to-be-released book Inside Life. Tre, also
known as TRASH, iscurrently busy developing a
"Motor Speedway of Words" for an upcoming
performance - a piece highlighting the
self-described "scientific poetry." A compilation
CD titled UNSUNG features original words
and
art, and will
be released in January. Lives in Los
Angeles.
Leonora
Rogers-Wright (the Twins Mao&Lisa): Performance
Poet. Artiste in the media film, theatre, music,
literature & dance. wrote, directed &
performed in 'Show me the way you go home' piece on
homelessness & alcolholism in1967. Extracts of
her 'Variation on a theme', 'She lives' and 'Fall
and Rise of a Sistah' have been broadcast on Tv
& radio. She is presently negotiating a
drama-documentary of 'Vanilla Split - a Crazy
Affair'- an exploration of contemporary lesbian
culture. Collaboration with Nonike Hendrickse on
'Ozone' - meta-patriarchal theatre
Angela de
Castro (Theodora): Actress, clown.
Svar Simpson
(Spidercuntboy, miniature-models, special-effects):
sculptor,performer. first movie: 'Late Date' 5min,
shot on the digital supervision camera
ìconnectixî.
Del laGrace
Volcano (Lady D, still-fotografer): photographer,
performer,video- & filmmaker. Foto-books: 'Love
bites' & 'Love bites Back'. Directed,produced
& performed in 'PPP-Pansexual Public Porn, aka
The Adventures of Hans&Del' Video 1998.In
Progress: 'Drag Kings-a First Look' book in
collaboration with Judith Halberstam to be
published this year by Serpent's Tail.
CREW:
Jana Cipriani
(Director of Cinematography, Digital Animations,
plays the
rapist
soldier): camerawoman. multi-media artist &
designer. Collaborator on '2-0 DOWN, 3-2 UP'
interactive Fanzine on British Subculture by
Stephen Smart. Designer of web-page for 'The
Passion'
Mark Harriott
aka Amory Peart
(Production
& Costume Designer, plays the raped
soldier):
Video director
and producer, theatre designer. Co-producer &
co-director on 'Pout - Queer Video magazine' for
Channel 4 & the Terrence Higgins Trust.
Director of 'Tessa Boffin Queer Photographer',
Producer of 'Muff Match', a lesbian sex-romp,
writer/ director of 'Butt Buddies' 90min, soft porn
feature, winner of the Erotic Oscar 1997, featuring
in a documentary on the making of 'Butt Buddies'
called 'A Star is Porn' for Channel 4, writer/
director of 'Lick Daddy Suck Bear',
Writer/director/camera on eight episodes of 'Amory
Peart's Butt Buddies' for Gay TV, Director/camera
'This Way Gay' 20min pilot. Currently working on
gay TV commercial adverts for Sky TV and Channel
4
Jewels Barker
(sound design, stop-motion animations,
camera&lighting
assistent,
singer&composer of title-song, extra-voices):
filmmaker. Writer/director/producer of 'St.Pelagius
the Penitent' winner of 'Best Documentary'
shortfilm festival Tampere, Finland 1998,
co-founder & host of the legendary clubs
'Naive', 'Knaive' and 'Geezer'
Emma EJ Doubell
(music): Dj ('Fist' and many others) and creator
of
tecno dance
music
Lulu Belliveau
(Production Manager, plays the professor in the
Art-class): Editor of 'Common Denominator' and
co-editor of 'Quim' and 'Flirt'
Dr.Sue
Golding/Master Johnny Boy
(Script
Adviser, DD workshop, plays the
Executioner):
political
philosopher, writer, theatre director. Co-founder
of 'Buddies in Bad Times'
theatre in
Toronto. Editor of 'The Eight Technologies of
Otherness' Routledge 1997
Paul Hallam
(Script Adviser, plays an unfortunate student in
the
Art-Class):
writer('The Book of Sodom' Verso 1993) and
script-writer
('Nighthawks'
and 'Caught Looking')
Director's
notes
the
SPECIAL-EFFECT iz
the CY-borg's
true NATURE!
again&again
cy recreates cy-self using all kinds of extensions
of material
(fetish) or
immaterial (fantasy) nature. The cyborg has a hard
time using
this unwieldy
language. Even writing a simple synopsis becomes a
feat:
s/he/it/flame/mummy/TV-dust/self-cloud
--huh?? But bear with me, fluid
identities are
readable visually in
KINETIC
SHAPESHIFTER F/X CINEMA!
My goal is to
create my own cinematic language to express the
hysteric
state of the
technologically extended human at the
fin-de-millennium. The
cyborg's self
is but a cloud of cy most probable whereabouts,
flowing with
ease into the
tecnosphere. Finally mirrored by other
cybernetic
communication
systems, the cyborg realizes that self creation
lies at cy
fingertips.
A CYBORG'S LIFE
IS EXPERIMENTAL ALWAYS.
special-effect
= character
the
protagonists of >DANDY DUST< are comic-strip
characters = graphic
materializations
of expressions. e.g. >DANDY DUST<
iz:
* born from
waste material of war&rape culture = an
obsolete syatem based
on violence as
language of control. Personifies the corrosion of
white
patriarchal
culture.
*
information-soaked noize, fabric of the tele-web:
too much memory! the
editing of
which is up to the individual now., facilitated by
the
increasing use
of digital&electronic personal image
technology
* 'dirt': the
character of excess. The grain of lo-res
media.
Materialisation
of the uncontrolled.
* a
designer-drug: its narrative design of
multi-level/puzzle/interactive
cause&effect
action always has new surprises in store. Depending
on the
viewer's frame
of mind it changes. The movie itself is a
shape-shifter! and
therefore lends
itself to multiple viewing: to come
again&again!
Hans
Scheirl
Biography
*1956 in
Salzburg, Austria
1975-80 Academy
of Fine Arts Vienna, 1980 Diploma in Restoration of
Art
1978-84
experimental music with '8 oder 9'
1979- Super-8
films
1981-82
Performances. Fluxus-assistant to Arleen Schloss'
'Wednesdays at A's', N.Y.C.
1984-86 super-8
films with Ursula Puerrer
1985 music
performances with 'Unguenstige
Vorzeichen'
1985-86 video
training @ Medienwerkstatt Vienna
1989-92 first
cyberdyke-feature 'FLAMING EARS' in
collaboration
with U. Puerrer
+ Dietmar Schipek
1992-98
poly-media cybercomicsplatter-cinema 'DANDY
DUST'
filmmaker,
artist. lives in London
Selected
Filmography
[super-8,
colour& sound if not stated
otherwise]
1979
'STRAþENBILDER' 11min silent
'MEN &
MASKS' 2min silent
1980
'HƒNDE HOCH!' 160sec silent
1981
'STRAþE II' loop
'THE ASCENTION'
4min
1983 'JOCASTA
TAUCHT AUF' 5min
1984 'ANNA
alpha NACHT' 15min
'MARIA MEISTERT
METALL & ANNA ARBEITET ANSTƒNDIG'
60min
[program
consisting of several shorts]
1985
'BODYBUILDING' 7min
'DAS SCHARZE
HERZ TROPFT-BASTELANLEITUNG ZU -RINNEN'
11min
'GEZACKTES
RINNSAL SCHLEICHT SICH SCHAMLOS
SCHENKELNƒSSEND AN' 4min
'IM GARTEN DER
GELBEN G.' 9min
'SUPER-8 GIRL
GAMES' 2min
1986 'IM
ORIGINAL FARBIG' 14min video
'SLOCKING
WALKMAN' 2min music-video
1989 'THE
ABBOTESS & THE FLYING BONE' 18min
16mm
1990 'ACID'
dance-visuals
'DIE VAMPIRIN
AN DER KRAFTWAGENBEDARFSSTATION' cinema-spot 35sec
35mm
1991 'FLAMING
EARS' [original title: 'ROTE OHREN FETZEN DURCH
ASCHE'] 84min 16mm
1993 'THE
SAVINGS POUCH' TV-spot for 'FIRST SEX' Channel 4
1min
1995 'SUMMER OF
1995' 10min co-director: Jewels Barker
1992-96 '1/2
FROGS FUCK FAST' 17min tecno-Tv-porno
1992-98 'DANDY
DUST' 94min 16mm
Hans Scheirl
film's have been shown at (selection):
1983
'SUPER-8 OR 9
FILMS' Filmmuseum Vienna
1985
'KUNST MIT
EIGENSINN' Museum of 20th Century,
Vienna
'VIPER'
Luzern
'CINEMATIONE'
Festival of Anarchist Film, Torino
1987
'ARS
ELECTRONICA' Linz
'TRANSMISSION
IY' Museum of 20th Century, Vienna
'DIE SCHATTEN
IM SILBER' Museum of 20th Century,
Vienna
1988
'INFERMENTAL 7'
int. video art edition
'BETON' Galerie
Grita Insam, Vienna
1990
'FILMFESTIVAL
MAX OPHUELS PREIS', Saarbruecken
'FESTIVAL DES
PHANTASTISCHEN FILMS', Brussels
'ROTE
K¤SSE' Filmcasino, Vienna
1991
'PERLEN
F¤R DIE SƒUE' Kino Eiszeit,
Berlin
'INT. GAY &
LESBIAN FILMFESTIVAL AMSTERDAM'
1992
L&G
Filmfestivals: N.Y.C., San Francisco, Los
Angeles
'VIENNALE' Int.
Filmfestival Vienna
Scala Cinema,
Rio Cinema, Screen-on-the-Green, all
London
Angelica Film
Center New York
Landmark
Theaters Los Angeles
1993
'DICK OR JANE?'
Institute of Contemporary Arts Boston
1994
1st L&G
Filmfestival St.Petersburg
'RENAISSANCE
DER LIEBE' Vienna, Weimar, Dortmund
'TRANS-X'
Filmcasino Vienna
'VIVA 8' London
Filmmakers Coop
1995
L&G
Filmfestival Paris
ëGLASGAYí
Glasgow
1994-96
5 shorts
included in the touring show 'AUSTRIAN AVANT-GARDE
CINEMA
1955-1993',
curated by Steve Anker from the San Francisco
Cinemateque:
Art Institute
Chicago, San Francisco Cinemateque, Honolulu
Acedemy of Art,
Museum of Fine
Arts Boston, Los Angeles Filmforum, Museum of
Modern Art New
York, Antology
Film Archives N.Y.C., ICA London, Dt. Filmmuseum
Frankfurt,
Alpe Adria
Cinema Trieste, Centre Georges Pompidou Paris,
Image Forum Tokyo
1996
'PANAEMONIUM'
ICA London
'IDENnTITIES'
Filmcasino VIENNA
Frauenfilmclub
Xenia Zuerich
1997
'SCARED STIFF'
horror-program of MIX New York
1998
MIX MEXICO,
Mexico City
Artists'
Television Access Theater, San Francisco
Main
Characters & Time/Spaces in order of
appearance:
'Planet of
White Dust': Stellar body on which the 3W (white
western war) cultures are fighting their historic
battles. Its carcass is all brittle bones and its
sand-dunes are made out of bone-flour. In its
center the workers are pumping the bone-grinder
that fuels the mechanism of eternal
destruction.
'The
Mothership': A flying grave-yard navigated by
Super-Mother Cyniborg. Inside the uterus of the
space-craft Cyniborg has set up a sick-bay tent.
There she is busy restoring the family-tree by
stitching back together deceased ancestors who she
finds in the tombs of the family-crypt. To collect
missing relatives and suitable body-parts Cyniborg
pays a visit to the fertile corpse-grounds on the
'Planet of White Dust'.
'The Twins'
'Mao' & 'Lisa': Dandy Dust's sisters. Never
allowed to be born, they are forced to work for
Super-Mother Cyniborg as body-part collectors. They
spend their free time in the 'Red Lab', a
laboratory somewhere in cyberspace working on
parthenogenetic experiments.
'Dandy': Dust's
past self. Lives on father Sir Sidore's Planet of
Blood&Swelling. The mysterious death of mother
Cyniborg in his early childhood makes him a lonely,
melancholic adolescent. Enjoys hunting and
collecting small dead animals.
'Planet of
Blood&Swelling': Historic English time/space
with aristocratic leanings. It is an inverted
planet, meaning that the biggest is also the
smallest. So the bloodvessels zigzagging through
its skies are also the villi in Sir Sidore's
anus.
'Sir Sidore':
Dandy's father. English landowner. His time/space
is the 'Planet of Blood&Swelling'. He always
carries a huge hard-on in his breeches. He is
repressed, weak and bitchy.
'Super-Mother
Cyniborg XVII, Dutchess of Loft &
spire
Dandy's mother.
A descendent of an old aristocratic family she is
obsessed with genealogical power. She wears 16inch
heels and a bishop's mitre. She has pointed claw
fingers and one very long arm. She loves
needle-work but (unsuccessfully) investigates the
possibilities of genetic engineering.
'Dust': fluid
gendered time-traveller with a memory problem.
Lands on '3075' with a crash & soon becomes an
integral member of the planet.
'3075':
Cybernetic planet/creature/city. Its humanoid
inhabitants exchange bodily fluids with the city
and each other inside the bladder of the planet.
They communicate via chemical reactions and
electronic mini-rhythms=sexual trembling. The
planet is self-regenerative and its time-pattern is
the year 3075.
'The Mummy': A
shape-shifted after-life persona of Dandy.
Traumatic experiences and death have made the Mummy
into a cynical & sadistic character. The Mummy
is trying to get Dust to unite with herm 'to become
whole again'.
'The Flame': A
shape-shifted persona of the Mummy. S/hit is either
just a flame hovering in the air, or 'wearing' a
hollow suit.
'Theodora': A
great-great aunt of Dandy. A witty, Mesopotamian,
mathematical genius, restored and rejuvenated by
Cyniborg.
'Spidercuntboy
aka Spider C.b.': A creature with special powers
of
time-transportation
& hypnosis. Shape-shifts from a tiny, hairy
ball to a humanoid with a big
vagina on his
belly. Likes to suck genital juices.
Synopsis:
Cruel wars are
raging through the centuries on the Planet of White
Dust. Supermother Cyniborg lands with her
space-ship the Mothership onto the corpse-strewn
planet: she is searching for missing relatives and
suitable body-parts. The Twins are on her side
doing the dirty work.
We hear
screams. A soldier is raping another soldier
holding a gun in his mouth. Zack! An arrow hits the
rapist's body. Zack! another arrow pierces his
trigger-finger. Out of all his body-openings sperm
gushes in abundance. Finally all that is left of
him is a white puddle that gets soaked up into the
bone-sand and dries instantly. A gust of wind
carries this special mixture up into the sky: Dandy
Dust!!!
The narrator
starts telling the story of Dandy's sad childhood,
but gets interrupted: 'Sometimes when we know too
much we forget everything'. A bored Dust is
floating in space. Suddenly s/he sees a new planet
growing: the Planet of 3075!
Dust
belly-lands onto the planet. A coil whirls itself
around Dust and s/he is catapulted into the Red Lab
where the Twins take out Dust's memory
disc.
Dust stumbles
across 3075's body/landscape-in-construction. A
cyber-surgeon takes Dust's suit in exchange for a
fresh memory-disc which plugs Dust into 3075's
cybernetic structure.
Many aeons
whirled in endless circles... While plugged into
the bladder of the city, Dust has an apparition:
Dandy, hers past self. Dust's fetishistic memory is
triggered, an alien concept for the inhabitants of
3075. Dust builds the virtual reality fantasy space
'Art-Class', which can be visited by taking a
specially designed drug. Dust persuades h friends
to come along.
'Art-class' is
an end-of-19th century 'gentlemen-only' art
academy. The students draw nudes and cruise each
other. A zombiefied Sir Sidore enters. Dust flirts
with him but soon realizes that this figure is
really weird. Cyniborg enters, accompanied by the
Twins. The Warden approaches reminding them of the
institution's strict dress-code. Cyniborg
retaliates: 'I'm not going to join this foul class,
I came to get my baby!' She grabs Dust with her
long arm. Dust screams a piercing scream that opens
old wounds. The family-zombies' blood splatters
everywhere.
This incident
in VR-fantasy leaves Dust confused and s/he starts
to have nightmares involving Cyniborg and Sir
Sidore.
A winged coffin
forces itself through the urinary system of 3075
into the bladder. A dusty bandaged figure steps
out: the Mummy. S/hit claims to be Dust's better
half: only their unification would bring back the
lost memories Dust needs to fight the crazed
family.
This sounds to
Dust like old-fashioned love-crap. In a violent
argument Dust distroys the Mummy who turns out to
be a hollow shell of bandages filled with
special-effect bags: tears, blood, piss, sweat.
Dust throws the left-overs onto exposed cables
which ignite a flame that rises above the planet:
The Flame is born!
Dust is killed
by The Twins and brought to Supermother Cyniborg's
space-ship The Mothership. Cyniborg makes Dust her
prisoner: she's after hirs eggs, the Fancy Family
Juwels!
The Flame helps
Dust to get free and introduces herm to aunt
Theodora, a newly revived ancestor. Theodora has
been busy getting her room ready for lift-off. She
is planning to visit 'Figure-Field', a mathematix
convention, to get out of reach of Cyniborgs's
claws. Flame & Dust watch the flashback of
their lives on
Theodora's
orange monitor.
A cold day in
the cemetary on the Planet of Blood&Swelling.
Dandy mourns at Cyniborg's grave. After the
mysterious death of his mother in early childhood,
he is raised by father Sir Sidore. A repressed
sexual attraction underlies their righteous
manners. They both love nature & enjoy hunting.
But Sir Sidore is really a frustrated bitch and
makes sure Dandy does not show much enthusiasm
about anything.
On one of his
walks through the romantic bloodvessel forests he
finds: 'The Freckled Egg!'. Back in his attic room
in the family mansion he carves a hole in ihis
favorite book on time-travelling in a last effort
to find a way out of this depressing
time/space.
As the night
progresses with gothic spookyness, a hairy ball
hatches out of the book:
Spidercuntboy!!
aka Spider C.b.
Spider C.b.
lures Dandy into a deal: in exchange for sexual
favours he promises to take Dandy on a trip into
the future to visit his sexually fluid future-self
Dust. Spider C.b. & Dandy travel to 3075 in the
green time-worm tunnel. For a few moments Dandy
gets a chance to see Dust in electro-chemical
ecstasy.
This incident
clicks Dandy out of his repression into horny
megalomaniac madness. At a dinner-party given by
Sir Sidore, he stuffs food into his trousers, bites
a guest (Lady D) into her leg, makes a pass at his
father, runs after a mouse on all fours pulling the
table-cloth from the table, so
that food &
wine splatter across the noble crowd. He catches
the mouse and eats it. Outraged Lady D is leaving.
Dandy pursues her & forces a bloody kiss on her
mouth. Lady D severely punishes Dandy in front of
everyone & passionately kisses him. Sir
Sidore's desire is unleashed & his hate is a
volcano ready to erupt!
After Dandy had
some more fun playing with the animals in the
stable, he falls asleep on a pile of hey. Sir
Sidore enters, screws on a drill-dildo & rapes
the deliriously unfortunate Dandy. Dandy happens to
always have a shotgun at hand & shoots Sir
Sidore's brains out.
The Twins
arrive on their caterpillars. They meditate until
the remains of Dandy & Sir Sidore are
transformed into television noise that trickles
into the caterpillar scoops. During their journey
through space to the Mothership the Twins force
Dandy's electronic identity cloud to remember the
horrible family-tragedy:
The child Dandy
is loved and spoiled by both hers parents. They
themselves hate each other profoundly and made the
child into their (worthless!) mediator.
When Dandy
hears that mother Cyniborg is pregnant with twins,
Dandy kills Cyniborg. Instant guilt erases the
child's memory of the murder and divides herm into
two: one of them lifts off into space to become a
cloud of TV-noise, the other one stays to become
the adolescent Dandy.
At mother
Cyniborg's funeral the earth trembles: enraged by
her murder, Cyniborg pulls out of the ground,
taking the family-crypt & a good chunk of
graveyard with her into space: The Mothership is
born!!
Terribly moved
by the traumatic events of their common childhood,
Dust & Flame unite & become 'Dandy Dust'!!
Now exuberant, he dances around & weeps in
desperation & joy infront of Theodora's
surprised eyes: Dandy Dust has a flaming head!
Theodora congratulates Dandy Dust to the new
identity and continues unscrewing her room. Dandy
Dust continues watching the flashback:
The Twins land
their caterpillars on the drive-way of the
mothership with Dandy & Sir Sidore's tv-noise
heaps in their scoops. While Cyniborg starts her
genetic manipulation on her loved ones' diffused
electro-bodies, the Twins check into their
cyber-stalls.
Cyniborg's
experiments are disturbed when Spider C.b. pays her
a visit to get his part of the deal. Although
Theodora helps Cyniborg to get rid of Spider C.b.
he still gets a good mouthful of electronic Dandy
juice. Whether that had anything to do with it, we
don't know, but Cyniborg's experiments fail and she
has to transform Dandy and Sir Sidore back into
their heavily abused bodies to apply
old-fashioned
stitching methods.
Bandaged from
head to toe Dandy becomes the Mummy and escapes the
Mothership with the help of h lovely aunt Theodora
who gives him a flying coffin.
End of
flashback.
Now Dandy Dust
is ready to face the tyrannical mother and finally
say goodbye to family-zombie life. He walks through
the vaults of the crypt repeating -h- mantra: 'I am
Dandy Dust. From now on I will take my life into my
own hands. I love you all dearly but I have to go
my own path. Believe me...'
Out of the
shadows of the crypt hands are grabbing herm: the
family-members pick Dandy Dust up & strap herm
into the gynaecological chair. Then they approach
with big, fat, ejeculating dildoes on
sticks.
Cyniborg
proclaims: 'We will put an end to sloppy patchwork.
We must breed! Clean and intelligent we plan our
future!' Dandy Dust retorts: 'I am Dandy Dust. You
cannot reach me. You feeble flees feeding from my
rivers, come and see that I'm burning!!'
Suddenly the
family-members tear down their masks: with horror
Dandy Dust realises that they are all h-self!
playing a dirty trick on h-: 'Here we are! We would
never leave you alone. we've got a surprise for
you: a special-effect!' They miniaturise the
mothership. Inside the mini-sick bay the real
family, tiny zombie-robo-puppets now, are slashing
each other. Butthe Twins have disappeared via their
cyberstalls. Dandy Dust does not see any other way
out than to beam h-self into the mini-sickbay,
fight the zombie-robots and check into sister
Lisa's cyber-stall. But instead of 'cyberspace'
Dandy Dust finds h-self inside Mao's blood-stream.
Lisa & Mao finally get to tell their story:
that they have grown the planet of 3075 via
parthenogenetical conception, but so far have been
unable to make is atmosphere breathable to them.
Dandy Dust pleads with Mao to let herm out. The
very moment Mao throws Dandy Dust up and into the
black water of their aquarium, the much
sought-after gas starts bubbling.
The Mothership
explodes, Dandy Dust is madder than ever and
the
Twins have been
happily dancing on 3075 ever since!!
HANS SCHEIRL
©1998
Presented
By
mmm
millivres
multi-media
For further
press enquires please contact:
Kim
Watson
0171 482
2576
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"Transgender", Sept 24-27
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"Feminale", Oct 01-07
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FF", Oct 13-18
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L&G, Oct 20-25
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Brazil", Nov 05-16
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"Trannyfest", Nov 21
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"Identities", Nov 26-Dec 03
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